The adorable actress – who is married to her handsome husband Freddie Prinze, Jr. – caught the paparazzi off guard when she was seen smooching actor Dwayne Johnson on a balcony. However, it was all part of a movie scene the pair were shooting.

The former “Buffy The Vampire Slayer” star and Dwayne were working on a sex scene for their upcoming movie “Southland Tales” in a hotel room when the director decided to take the passion outside to the balcony.

A number of paparazzi were anxiously waiting to capture a snapshot of the blonde star but were surprised to see the two actors suddenly exchanging saliva instead.

Even though she was having some fun and laughing at the people below, Sarah Michelle admits she was a bit concerned they would get the wrong impression.

The former “Buffy the Vampire Slayer” star plays a working girl in the new movie “Southland Tales” alongside Justin Timberlake and former wrestler The Rock.

Gellar, 29, insists her sexy blonde look made her ideal for the role.

She told Glamour magazine, “When you look at me, you think, ‘I know – porn star!’ It’s sort of like a calling.”

Gellar attracted a legion of male fans playing Buffy, and sent pulses racing with her tight costumes. However, the actress refused to bare her breasts in “Southland Tales,” despite her illicit role.

October 20, 2006 – Sarah Michelle Gellar is no stranger to the strange. Seven seasons of Buffy the Vampire Slayer and two rounds of the The Grudge will attest to that. She says she loves to freak people out. What’s more, she says, “I love to be scared.”

When it came time to select her next project, Gellar wanted to stick with the supernatural thriller genre, but it had to be different. Really different. It had to have a certain something about her character that would set moviegoers on edge. So she accepted director Asif Kapadia’s The Return, and with it, the challenge of playing a masochist.

“She’s a cutter,” says Gellar of her character Joanna Mills. “She does violent things to her body, and that’s sort of an interesting concept all in itself.”

Joanna is a Midwestern saleswoman who becomes so dulled by her home and work life that she develops a yearning to feel anything, be it pain or pleasure.

“The idea is that you cut yourself because you feel so cut off from everything that you want to be able to feel something,” Gellar explains. “First comes pain, and you’ve wanted so long to feel that pain. But then there’s a euphoria that comes from that, the endorphins, the blood. Just the whole concept of it. It’s such a pleasure-pain principle.”

A contributing factor in Joanna’s psychological deterioration is her recent lucid dreams; dreams so disturbing, she begins to wonder if they could in fact be someone else’s. She believes she might be living a parallel life with someone else, and that someone else might be dead. This vexatious facet drew Gellar’s interest.

“One of the things that I think [Asif and I] were both fascinated with is sort of the underlying Buddhist themes of life, which is life is cyclical,” says Gellar. “You come and you live your life. Then you come back and you fix things from the past. And about how you need to finish what is supposed to be your life before you can really, truly sort of transcend to what is essentially the next life.”